Hey friends, here’s a brand new guitar lesson & attached PDF chord sheet for “Clay Pigeons” as covered by John Prine (originally written by Blaze Foley). In this lesson I’ll start off by showing you a no capo, “easy strum” version of the song – using only the common G C D chords. Clay Pigeons by Blaze Foley. What a song!I got this mp3 from waddellhollowrecords.com via free download.
Guitar lesson for
by John Prine • Lesson #294
Video lesson
PDF currently unavailableas of May 6, 2021
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Editor’s notes
Hey friends, here’s a brand new guitar lesson & attached PDF chord sheet for “Clay Pigeons” as covered by John Prine (originally written by Blaze Foley). In this lesson I’ll start off by showing you a no capo, “easy strum” version of the song – using only the common G C D chords. In the second half of the lesson, we’ll put a capo on the 3rd fret and learn the exact fingerstyle Travis picking tab that John Prine plays on his 2005 album “Fair and Square”. As always, I’ll break everything down step by step. Here’s a list of what I teach in this tutorial, along with timestamps if you want to jump ahead:
Easy-strum version (no capo)
- 2:02 Basic chord shapes
- 2:36 Verse & chorus progressions
- 5:25 Strumming patterns
Travis Picking (fingerstyle, capo 3)
Blaze Foley Clay Pigeons Guitar Tab
- 9:06 Chord shapes for Travis picking
- 12:34 Right thumb technique
- 14:08 Fingerpicking the intro
- 21:03 Fingerpicking the verses
- 24:14 Farewell
Blaze Foley Clay Pigeons Tabs
I recorded this on Monday, and John Prine passed away the following evening while I was doing the editing :( Obviously, horrible news. It’s my hope that this lesson helps you enjoy his music & share it with others via guitar.
Lyrics with chords
Add capo 3rd fret to play along with John Prine.
Intro tab
Blaze Foley Clay Pigeons Tab
My suggestion for learning this, especially if you’re new to Travis picking: first, focus on just the right thumb, which will be playing alternating bass notes on the 6th and 4th strings. Only after you’re comfortable with this, add the right index (and possibly right middle) fingers, which will be playing the notes on the thinnest 3 strings.
Part 1 of 2:
Part 2 of 2:
Here’s the right thumb notes for each chord, to help you visualize what your right thumb has to have absolute mastery over. I think of this as an “engine” that must keep chugging along at all times. Only after you’re fully competent at playing this (through the progression, with the chord changes, etc) – should you add the additional notes on the thinnest 3 strings.
How to play the chords
If you’re just strumming, you can use these typical voicings. However, if your aim is to play fingerstyle in the fashion of John Prine, see the chords I show further below.
To play fingerstyle, the first two chords you’ll want to learn are the G and C (technically, the C is a “C/G” - but we’ll refer to it as a C for simplicity going forward). The great part about these two chords, is that your left ring finger stays in the exact same position for both chords. The only “transition” you do is putting your left middle & index fingers down for the C, and then lifting them up again for the G.
Next, let’s add this D chord (technically, it’s a D/F# – but again, let’s keep it simple and refer to it as D). This one is trickier, because you’ll need do a bit more finger re-positioning than you will when playing the C & G. First learn this chord by itself, then practice going from the G or C to this chord, and back again. If this chord totally stumps you, ignore it and follow the rest of the lesson only using the G and C chords.
Fingerpicking the verse
During the verse, you’ll want to keep up the Travis picking but slightly dial down the flourish. Here’s the tab I like to use. This may not be 100% what John Prine plays, but it’s close enough. Again, the main idea is to keep your right thumb chuggin’ along like an engine, whilst adding occasional notes with your right index and/or middle fingers – just to flesh things out a bit, and make sure things don’t sound too empty & minimal. Feel free to improvise, or otherwise deviate away from these tabs! These are just simple suggested starting points.
Strumming pattern
If you want to strum instead of playing fingerstyle, here’s a few tabs I recommend trying out. Use what works for you! For both these patterns, I tend to play only the bass note (of whatever chord is being played) on the “1” count of that measure.
Chord progressions
Just for context, here’s the chord progressions used in the intro, verse, and chorus of this song.
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